By Kathleen Burkinshaw
Sky Pony Press (August 2, 2016)
Reviewed by Carol Baldwin
Twelve-year-old Yuriko has become accustomed to daily air raid drills and the sounds of American B-29s flying over Hiroshima. But even though the sounds are familiar, she is always worried. Will we actually get bombed? What if the school collapses? Will a desk actually protect me? Is my papa safe? How will I find him if a bomb hits us? (p. 2)
With that foreboding introduction, the reader is propelled into Yuriko’s world in 1944.
Before Yuriko leaves school in this opening scene of Kathleen Burkinshaw’s The Last Cherry Blossom, she asks her teacher for her grade on the ancestral project she just completed. Yuriko is proud her lineage traces back to samurai warriors in the 1600s. Against the backdrop of her anxiety over the air raid drills, Yuriko does not receive the praise she anticipates. Instead her teacher says, “That is not right.”
She leaves without telling Yuriko what’s wrong with her paper.
That question, as well as the appearance of a friendly yet sad stranger, are mysteries snaking through this novel which will appeal to both girl and boy readers.
No Longer Normal
Yuriko’s normal is living with her beloved Papa, her Aunt Kimiko (who she doesn’t particularly like) and her pesky younger cousin Genji, and sharing secrets with her best friend, Machiko. As a member of the upper class she is protected, loved, educated, and the recipient of luxuries like custom-made silk kimonos for the annual cherry blossom festival.
Her life begins to change when her widowed father decides to remarry. At the same ceremony Kimiko remarries a man named Akira-san and suddenly the house holds two families instead of one. When an acquaintance alludes to a man named Nishimoto-san who would have loved to see her, Yuriko learns who her true parents are. Like being hit by a bomb, Yurko begins to experience excruciating repercussions in her identity, family, and home life.
Burkinshaw’s use of lines from newspapers, posters, and radio shows at the beginning of each chapter effectively sets the story within it’s historical and political context. The next chapter after Yuriko hears her devastating news is sub-titled, “No matter what sort of air raid comes, the neighborhood association will be safe.” Since we know what happened at Hiroshima, the neighborhood association’s words foreshadow more bad news for Yuriko.
Right after Tokyo is bombed, Yuriko walks into a conversation between Akira-san and her papa.
“Do you really think they will bomb our city?” I asked, a quaver to my voice.
“Anything is possible in war.” As Papa said this my stomach swarmed with butterflies. I ran to him and welcomed his embrace.
“Papa, are we all going to be all right?” I squeezed tighter. I swear all one hundred million hearts from the radio slogan were beating in my chest. Will fire be raining down on us soon? Maybe we should just live in the bomb shelters? But how is that really living?
He hugged me close and then stepped back. He looked at me and said, “I will keep you safe.”
Akira-san added, “Our family’s safety is our main concern.” He glanced at Papa. “But now you should get ready for bed. It is late.”
I nodded and gave him a hug as well. When I got to the door, I turned and asked, “Papa, do you think we will have school tomorrow?”
I noticed that both he and Akira-san looked up to answer. I did not know what made me feel worse—the fear that this new firebomb could be dropped on Hiroshima next or the tugging of my heart as both men responded to “Papa.” (p. 133-4)
The Last Cherry Blossom reflects the mixture of cultures present in Japan during World War II. Yuriko’s father loves The Three Stooges movies and she and Machiko listen to American jazz. At the same time, the emperor is considered divine and suicide is an honorable option if one falls into enemy hands.
There are many lovely references to cherry blossoms which tie the book together. After attending the annual cherry blossom festival and singing and dancing, Yuriko returns home to a family celebration.
Once we were all seated, Papa raises his glass and said, “Cherry blossoms are like life itself—so beautiful, yet so fragile that they bloom only a short time. A toast to my family and to enjoying our time together. Kanpai!” (p. 146)
Sadly, a few months later, the atomic bomb destroys Yuriko’s world.
After the bomb is dropped and Hiroshima is devastated, Yuriko faces one loss after another. Overwhelmed by sadness, she is close to giving up her own life. The sight of cherry blossoms falling off a tree help Yuriko choose a path out of despair and into a new life with a new family. As Burkinshaw notes in the afterword, “Originally, scientists said nothing would grow again in Hiroshima soil for many years after the bomb was dropped. Yet the cherry blossoms bloomed the following spring.” (p. 219)
CAROL BALDWIN is a contributing editor to LitChat. Read her full bio here.